For quite some time, the long-awaited sequel to Matt Reeves’ atmospheric 2022 blockbuster, The Batman, has existed in a dimly lit cloud of uncertainty. Although its eventual debut is planned for 2027, the specific vision of the project have remained veiled in mystery. Entire eras might pass before the filmmaker decides upon which infamous foe from Batman’s extensive rogues' gallery to feature next.
And then – came this week’s news that Scarlett Johansson is in final talks to join the lineup of the follow-up film. The identity she might portray remains a mystery, but that hardly diminishes the significance of the news: it feels pivotal, a flickering signal over a seemingly quiet cinematic city. Johansson is not merely an A-list star; she is one of the few performers who consistently draws audiences while simultaneously preserving substantial artistic cachet.
Historically, the immediate guesswork might have suggested Johansson as characters like Poison Ivy or Harley Quinn. However, both are seems especially likely. For one, Reeves’ vision of Gotham, as presented in the 2022 film, was intentionally street-level and orthodox. That universe seems distinct from a wider cosmic playground where metahumans mingle with Batman’s more earthbound nemeses.
Reeves evidently prefers a muddy and psychologically realistic Gotham. His villains are not world-ending threats; they are complex figures often shaped by trauma. Furthermore, with Harley Quinn’s separate portrayal elsewhere and another actress already cast as Sofia Falcone in a spin-off series, the pool of major female characters from the Batman lore appears relatively restricted.
Emerging from online speculation that Johansson could be playing Andrea Beaumont, also known as the Phantasm. This villain, a heartbroken serial killer from Bruce Wayne’s past, would seem to dovetail exactly with Reeves’ established penchant for Gotham narratives rooted in psychological trauma. The director has previously teased seeking an antagonist who digs into Batman’s origins, a description that Beaumont fulfills with gusto.
“An past relationship of Bruce Wayne’s, her personal tragedy transformed into masked vengeance.”
Drawing from 1993 animated film, her origin even allows a possible link to introduce the Joker as a minor hoodlum – a detail that could enable Reeves to start integrating that chaos agent for a third chapter.
Perhaps the even more interesting question involves what a five-year gap between films does to a trilogy originally pitched as a focused story. Film series are typically intended to build excitement, not risk stagnating into archival artifacts. But, that seems to be the present state of play. It could be that is the strange nature of this particular fictional universe.
In the end, if Johansson truly entering the fray, it at least signals that the Reeves-Pattinson era is stirring once more, no matter how slowly. With good fortune, the Part II may just arrive into theaters before the corporate machinery announces the brand-new incarnation of the Dark Knight.
A passionate gamer and tech writer, Aria shares expert insights and reviews on the latest video games and gaming culture.